Spotlight On: Nicolette Pavain

 

 

Connecticut Theatre Company’s “Spotlight On…” series continues with a look into the cast of Jesus Christ Superstar. Get to know Nicolette Pavain who is in the ensemble of our production!

 

 

 

Introduce yourself to our audience.

Hi! My name is Nicolette. I am in the ensemble of Jesus Christ Superstar!

 

The score for Jesus Christ Superstar is notoriously taxing. What are your specific vocal warm-up routines or rest-day rituals to maintain your voice?

I am a big believer in both warming up and in routines. Anytime I go to rehearsal, no matter what we are working on, I always warm up my body and my voice. I like to keep my stretching and vocal routine pretty similar so that when it comes time to warm up for the show, it feels familiar and helps me get in the zone!

 

This show is largely a non-stop, sung-through rock rollercoaster. How do you maintain the dramatic arc and emotional stamina from the overture to the curtain call?

I find that it helps to be prepared before even stepping on stage. I do not like to perform without eating a hearty meal first and making sure to stay hydrated. For a dramatic show like this, it’s important to connect to the emotions of the scene, which only get more intense as the show goes on!

 

The musical has been thrilling audiences for over 50 years. What do you think makes this sung-through rock opera still feel contemporary and relevant to modern audiences?

The musical is telling a story that people have been trying to understand for centuries. It explores universal themes of loyalty, betrayal, vulnerability, and what it is like to be human. These are questions that people will always be looking for answers to. A format that includes some rockin’ music only makes it more fun!

 

Historically, this show has faced protests and intense debate regarding its content. Does that legacy of controversy cross the cast’s mind today, or has the cultural perception completely shifted?

I can only speak for myself, but I believe that we’ve tried to approach this with as much sensitivity as possible. Religion is one of those topics that people will never agree on, but everyone deserves equal respect for what they believe.

 

From the opening overture to the final curtain, the show rarely stops for a breath. What is the rehearsal environment like trying to maintain that high-octane energy?

It has been so fun! Every rehearsal has us sweating, panting, and out-of-breath. Part of the magic of live theater is knowing that the performers have put everything they could into the performance. I want to know that I can do that for anyone who takes the time to see the show.

 

How do you balance full-time jobs, school, or family commitments with an intense community theater rehearsal schedule?

It is definitely a big time commitment, but I love going to rehearsal! I find that taking time at the beginning of the week to meal prep makes a huge difference in being prepared for a busy week. There are times when I have to miss out on some other social events, but my friends and family are amazing and very supportive throughout the process.

 

Community theater casts often become incredibly tight-knit very quickly. How did this specific cast build its chemistry and trust during rehearsals?

Everyone was amazing right from the start. I found that this cast, as is always the case at CTC, was very open and friendly.

 

When local theatergoers leave the venue and head to their cars, what is the main conversation or feeling you hope they take home with them?